Abstract Art Oil Paintings on Canvas by Cameron Schmitz
Cameron Schmitz is an abstruse painter who has a background in mural and figurative painting. Her pedagogy includes a Master'south of Fine Arts in Painting from the Pennsylvania Academy of the Fine Arts, Bachelors of Fine Arts in Painting & Drawing from the University of New Hampshire, and studies in Art and Art History at Studio Arts Centers International in Florence, Italy. Post-obit a month-long creative person residency at the Vermont Studio Centre in 2006, Schmitz made her fashion up to Vermont and resides just over the border of Brattleboro, in Bernardston, MA. ~ Cameron Schmitz
Schmitz's piece of work has been featured at Fitch burg Fine art Museum, Northern Arizona University Art Museum, Green Mountain Higher, Kyoto Seika University, Emory Academy, Metro Gallery in Burlington, VT and Brooklyn Expo Center and Rogue Space and in New York, NY. Notable recent printing includes her piece of work featured in Fresh Paint Magazine and being interviewed in a two‐function series on the popular podcast, Savvy Painter. She is represented, Carrie Coleman Fine Art in Norfolk, VA, Northern Daughters Gallery in Vergennes, VT, Michael Findlay Gallery in Palm Embankment, FL, and The Drawing Room Fine art Gallery in Greenwich, CT. In add-on to her art-‐making do, Schmitz besides teaches painting workshops at the River Gallery School of Art in Brattleboro, VT.
Painting is a metaphor for my perception of life, inspired past tender, emotional relationships, and rooted in notions of affect, beloved, and wonder that I feel every bit a woman, mother, and humble observer of the world.
I use mark-making to express the constantly moving, changing, and morphing of life and nature, leaving observers certain that they are witnessing merely a fleeting moment in time. I am fascinated by the imagery that emerges from the physical and emotive act of painting itself—dashes of paint, gestural strokes, and rhythmic painterly marks are representative of human touch on, personal substitution, energy, and the shifting of time.
My pathway into abstraction stems from my groundwork in both landscape and figurative painting—I have always been fascinated past gesture and the human aspects of nature, such as the way tree branches announced to reach out to each other, equally if yearning to affect and hold hands. I take establish that being a parent has heightened my senses and my desire to move beyond literal forms and antiseptic my artistic motivation to express joy, wonder, and a contented unknowing about life, which is messy and intense but always potent with exceptional beauty. It is this uncertainty I comprehend while painting intuitively and abstractly because information technology allows me to relinquish control and give way for the painting to get a dialogue between me, the material, and its viewers.
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